Attached is the exact diamond shape to use — do not substitute a standard pear, marquise, or round brilliant. The top of the stone has three peaks: a small rounded dome at the exact center (the highest point), and two sharper pointed peaks further out at the shoulders, separated from the center by two distinct notches. HARD CONSTRAINT, NON-NEGOTIABLE: nothing may touch, cover, or cross the center dome or the two notches, from any angle. The stone's lower body is fuller and rounded, with NO point anywhere along the bottom edge.

Add a gold pendant setting: two thin, delicate sepal-like prongs, positioned only at the stone's two outer edges/shoulders — never crossing the center of the stone's face — each tapering to a fine point partway up the side. For structural support, add one additional thin gold element at the very base of the stone only, fine like a wire, reaching no higher than a fifth of the stone's height — its job is support, not decoration, and it must stay thin and short from the start. The stone's full width and lower body must remain visible and rounded between all three elements. Below, they converge into a single tapered stem, roughly one-third the stone's height, ending in a smooth rounded tip. One continuous piece of warm yellow gold, no vine texture or leaf veining — clean, smooth, abstract shapes only. Photorealistic product photography, plain light background, front elevation.

Attached is the exact diamond shape to use — do not substitute a standard pear, marquise, or round brilliant. The top of the stone has three peaks: a small rounded dome at the exact center (the highest point), and two sharper pointed peaks further out at the shoulders, separated from the center by two distinct notches. HARD CONSTRAINT, NON-NEGOTIABLE: nothing may touch, cover, or cross the center dome or the two notches, from any angle. The stone's lower body is fuller and rounded, with NO point anywhere along the bottom edge.

Add a gold pendant setting: two thin, delicate sepal-like prongs, positioned only at the stone's two outer edges/shoulders — never crossing the center of the stone's face — each tapering to a fine point partway up the side. For structural support, add one additional thin gold element at the very base of the stone only, fine like a wire, reaching no higher than a fifth of the stone's height — its job is support, not decoration, and it must stay thin and short from the start. The stone's full width and lower body must remain visible and rounded between all three elements. Below, they converge into a single tapered stem, roughly one-third the stone's height, ending in a smooth rounded tip. One continuous piece of warm yellow gold, no vine texture or leaf veining — clean, smooth, abstract shapes only. Photorealistic product photography, plain light background, front elevation.
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Attached is the exact diamond shape to use — do not substitute a standard pear, marquise, or round brilliant. The top of the stone has three peaks: a small rounded dome at the exact center (the highest point), and two sharper pointed peaks further out at the shoulders, separated from the center by two distinct notches. HARD CONSTRAINT, NON-NEGOTIABLE: nothing may touch, cover, or cross the center dome or the two notches, from any angle. The stone's lower body is fuller and rounded, with NO point anywhere along the bottom edge. Add a gold pendant setting: two thin, delicate sepal-like prongs, positioned only at the stone's two outer edges/shoulders — never crossing the center of the stone's face — each tapering to a fine point partway up the side. For structural support, add one additional thin gold element at the very base of the stone only, fine like a wire, reaching no higher than a fifth of the stone's height — its job is support, not decoration, and it must stay thin and short from the start. The stone's full width and lower body must remain visible and rounded between all three elements. Below, they converge into a single tapered stem, roughly one-third the stone's height, ending in a smooth rounded tip. One continuous piece of warm yellow gold, no vine texture or leaf veining — clean, smooth, abstract shapes only. Photorealistic product photography, plain light background, front elevation.

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